Billiards Digest — House Pro Tony Robles

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BD House Pro
Tony Robles

A longtime teaching pro at Amsterdam Billiard Club in New York City, Tony has dozens of regional and national titles to his name, including the 2004 BCA Open Championships.

Instruction Articles:

• September 2010
Through & Through

• August 2010
Along the Rail

• July 2010
The Small Stuff

• June 2010
Three in One

• May 2010
One Ball At a Time

• April 2010
Going Thin to Win

• March 2010
Know Your Game

• February 2010
14.1 For 8-Ballers

• January 2010
Setting It Straight

• December 2009
Hanging Out, Part II

• November 2009
Hanging Out

• October 2009
Control Your Speed

• September 2009
Busting Out of a Slump

• August 2009
Easy Errors, Part III

• July 2009
Easy Errors, Part II

• June 2009
Easy Errors, Part I

• May 2009
Body Language & Breaking

• April 2009
The Break: Body Language

• March 2009
Must-Reads from Robles

• February 2009
Position: Four Square

• January 2009
Romancing the Stance

• October 2008
Look Out for Boingy Rails

• September 2008
Build a Better Break

• August 2008
Q&A: Ask the Pro

• July 2008
‘Buzz’ Kill: Stay Down

• June 2008
Stop Shots Safeties III

• May 2008
Stop Shots Part II

• April 2008
STOP-SHOT Safeties

• March 2008
How to Keep Winning

• January 2008
Trying the Soft Break

• December 2007
The Hard Way Makes It Easier

• November 2007
How to Sight the Cue

• October 2007
Win from Your Chair

The Dreaded Straight-In Shot

February 2008

Many players develop a phobia about straight-in shots, but the added level of difficulty is all in their heads. They are tougher, in a sense, because players’ mechanics break down when they believe the shot is too tough.

Let’s look at the shot for different skill levels. First, all players should be aware that their grips tend to tighten when they’re unsure of a shot, making the cue sway to the left or right on the stroke. So, check in with your grip beforehand.

With a straight-in shot, you basically have three options: a stop stroke, follow or draw. A stop shot is your safest bet (see Diagram 1), and beginning players should practice short and long straight-in stop shots as a matter of course. Stay away from follow shots, unless you have great speed control.

Advanced players miss straight-in shots because they get caught up in getting shape for their next shot. Some use left or right English (even just to pocket the ball), but the off-center hit increases the chances of deflection. Try a simple center-line draw shot, bringing the cue ball straight back up-table for better position (Diagram 2). You could try some side English on the draw shot, changing the angle of the cue ball’s path when it hits a cushion (orange lines and text). Follow shots likely will scratch.

Elite players might cheat the pocket — slightly cutting the object ball so it will drop in the right or left side of the pocket, sending the cue ball the opposite way (Diagram 1, purple lines and text). Side English is an option, but you’ll very rarely see me use it. It just raises the degree of difficulty, and I’m already getting an angle by cheating the pocket.

Featured Video: Harriman's Drawing
(courtesy Accu-Stats)