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BD House Pro
Tony Robles
A longtime teaching pro at Amsterdam Billiard Club in New York City, Tony has dozens of regional and national titles to his name, including the 2004 BCA Open Championships.

Instruction Articles:
• January 2017
Adapting to New Rules

• January 2017
Systems vs Feel

• December 2016
It Happens to the Best

• November 2016
Maintaining Focus

• October 2016
Riding the L

• September 2016
Tips on Tips

• August 2016
The Art of Deflection

• July 2016
Note To Self

• June 2016
Object of Safety Play

• May 2016
Speed Zone

• April 2016
Frozen Ball Shots

• March 2016
Hide and Go Seek

• February 2016
Two-Rail Kicks

• January 2016
Staying Down

• December 2015
One-Rail Kicks

• November 2015
Breaking Bad

• October 2015
Call Shot, Call Safety

• August 2015
Patterns - Part II

• July 2015
I Notice A Pattern

• June 2015
Two-Way Prt. 2

• May 2015
Two-Way Shots

• April 2015
The Fine Line

• March 2015
Straight Break

• February 2015
The 'Walkaway'

• January 2015
Pushing Your Luck

• October 2014
Walk This Way

• August 2014
Attitude Adjustments

• May 2014
Adapt to the Equipment

• Mar 2014
Turn The Beat Around

• Feb 2014
Straight Is Great

• Sept 2013
Cover the Basics

• June 2013
Getting It Right

• May 2013
Strength Training

• April 2013
Rust Proof?

• March 2013
Not So Fast

• February 2013
Two-Step Jump

• January 2013
Open Your Eyes

• December 2012
Feeling Good?

• November 2012
Hang In There

• October 2012
Back on Track

• September 2012
Straighten Up

• August 2012
On the Rail

• July 2012
Mental Checklists

• June 2012
Respect & Fear

• May 2012
Chin Music

• April 2012
On the Line

• March 2012
Balancing Act

• February 2012
Creative Drilling

• January 2012
Power Outage

• December 2011
Jumping In Line

• November 2011
Soft on Soft Breaking

• October 2011
Find Your Stroke

• September 2011
The Path Off the Rail

• August 2011
Short Position

• July 2011
Inch Along

• June 2011
Into the Unknown

• May 2011
Sharpened Focus

• April 2011
Never Flatline

• March 2011
Stop For A Review

• February 2011
One To Watch

• January 2011
The Straight Answer

• December 2010
Shoot The Lights Out

• November 2010
Never Overmatched

• October 2010
Drawing Conclusions

• September 2010
Through & Through

• August 2010
Along the Rail

• July 2010
The Small Stuff

• June 2010
Three in One

• May 2010
One Ball At a Time

• April 2010
Going Thin to Win

• March 2010
Know Your Game

• February 2010
14.1 For 8-Ballers

• January 2010
Setting It Straight

• December 2009
Hanging Out, Part II

• November 2009
Hanging Out

• October 2009
Control Your Speed

• September 2009
Busting Out of a Slump

• August 2009
Easy Errors, Part III

• July 2009
Easy Errors, Part II

• June 2009
Easy Errors, Part I

• May 2009
Body Language & Breaking

• April 2009
The Break: Body Language

• March 2009
Must-Reads from Robles

• February 2009
Position: Four Square

• January 2009
Romancing the Stance

• October 2008
Look Out for Boingy Rails

• September 2008
Build a Better Break

• August 2008
Q&A: Ask the Pro

• July 2008
'Buzz' Kill: Stay Down

• June 2008
Stop Shots Safeties III

• May 2008
Stop Shots Part II

• April 2008
STOP-SHOT Safeties

• March 2008
How to Keep Winning

• February 2008
The Dreaded Straight-In Shot

• January 2008
Trying the Soft Break

• December 2007
The Hard Way Makes It Easier

• November 2007
How to Sight the Cue

• October 2007
Win from Your Chair

Own the Shot
September 2015

We talk a lot about not getting down on your shot without knowing exactly what you want to accomplish, and we talk about the mechanics of shooting a shot. But there is a transition from one step to the other that is really important, and I see a lot of players fail to make the proper transition.

The most common mistake I see players make is taking the contact point on the cue ball for granted and missing easy shots. The tendency for players on easier shots is to skip their normal pre-shot routine and come to the table from the side of the shot, instead of directly over the shot. Even on short shots, the contact point on the object ball is really precise. But instead of approaching the shot straight on and pinpointing the contact point, players simply get down over the shot assuming they already know where the spot is. Then, after they miss the shot, they want to kill themselves!

You simply cannot cut corners on a shot, no matter how easy the shot looks. One of the reasons Allison Fisher is one of the greatest women pool players ever is that she goes through the same approach to the shot every single time. I have never seen her not get directly behind a shot and determine the exact contact point on the object ball before getting down for the shot.

Fisher never takes a shot for granted.

I always tell my students, "You have to own the shot." By that, I mean that once you've gone through your pre-shot routine and have determined the contact point on the object ball, along with what you're going to do the with cue ball after contact, you should get down over the shot with total conviction. You should know that you are going to make the shot. Missing the shot is not even a consideration, because you know you have taken the proper steps before you got down over the shot.

At the point you get down over the shot, your focus should shift to the mechanics of the shot...the practice stroke, making sure your delivery is perfect. At that point, the shot will take care of itself.