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BD House Pro
Tony Robles
A longtime teaching pro at Amsterdam Billiard Club in New York City, Tony has dozens of regional and national titles to his name, including the 2004 BCA Open Championships.


Instruction Articles:
• March 2024
Rail Birds


• February 2024
Fear Factor


• January 2024
Taking It on the Chin


• December 2023
A Matter of Degrees


• November 2023
Coming Back From Injury


• October 2023
Routine Shots


• September 2023
Take Out the Guesswork


• August 2023
Stay Present


• July 2023
English Class


• June 2023
Deflecting Blame


• May 2023
Safety First?


• April 2023
Basic Training


• February 2023
Incremental Growth


• January 2023
Getting Pushy


• December 2022
Follow Me Home


• November 2022
Playing Off the Rail


• October 2022
Hanging by a Thread


• September 2022
Off On A Tangent


• August 2022
Going Straight


• July 2022
Take A Break


• June 2022
A Cut Above


• May 2022
Keep Your Chin Up


• April 2022
Where’s the Fire?


• March 2022
Be A Soft Touch


• February 2022
Focus on Task


• January 2022
A Cut Above


• December 2021
Sit and Win


• November 2021
Ready or Not


• October 2021
A Most Important Time


• September 2021
Never Stop Learning


• July 2021
Stay the Course


• June 2021
Not As Easy As It Looks


• May 2021
Watch Your Speed


• April 2021
Speed Kills


• March 2021
Uncomfortable? Good


• February 2021
Watch and Learn


• January 2021
Angles Off The Rail


• December 2020
When You Slip


• November 2020
The Inside Track


• October 2020
The Inside Dope


• September 2020
Experimentation


• August 2020
Challenge Yourself


• July 2020
Drill Sergeants


• June 2020
No Table Required


• May 2020
Opening Eyes


• April 2020
Three birds, one stone


• March 2020
Red Alert


• February 2020
Endless Possibilities


• January 2020
Starting position


• December 2019
Advanced Safeties


• November 2019
Frozen Solid


• October 2019
It’s A Thin Line


• September 2019
Joy in Repetition


• August 2019
Soft Touch


• June 2019
Thin To Win


• May 2019
Perfection Not Required


• April 2019
Shake ’n’ Break


• March 2019
Hangers


• February 2019
Correct Easy Errors


• January 2019
Weight Problems


• December 2018
Position, Everyone!


• November 2018
Be a Chairman


• October 2018
Never Stop Learning


• September 2018
Carom Corner II


• August 2018
Carom Corner


• July 2018
Slump Dog


• June 2018
Stopping Is Power


• May 2018
Professional Help


• April 2018
Break Dance


• March 2018
A Safe Path


• February 2018
Stunning Results


• January 2018
Know Your Rails


• November 2017
The Straight Dope


• October 2017
Confidence Boosters


• September 2017
The One-Armed Man


• August 2017
Making a Check List


• July 2017
Trust Issues


• June 2017
Rails Away!


• May 2017
Weight Watchers


• April 2017
Opposites Attract


• March 2017
Reach For It!


• February 2017
Adapting to New Rules


• January 2017
Systems vs Feel


• December 2016
It Happens to the Best


• November 2016
Maintaining Focus


• October 2016
Riding the ‘L’


• September 2016
Tips on Tips


• August 2016
The Art of Deflection


• July 2016
Note To Self


• June 2016
Object of Safety Play


• May 2016
Speed Zone


• April 2016
Frozen Ball Shots


• March 2016
Hide and Go Seek


• February 2016
Two-Rail Kicks


• January 2016
Staying Down


• December 2015
One-Rail Kicks


• November 2015
Breaking Bad


• October 2015
Call Shot, Call Safety


• September 2015
Own the Shot


• August 2015
Patterns - Part II


• July 2015
I Notice A Pattern


• June 2015
Two-Way Prt. 2


• May 2015
Two-Way Shots


• April 2015
The Fine Line


• March 2015
Straight Break


• February 2015
The 'Walkaway'


• January 2015
Pushing Your Luck


• October 2014
Walk This Way


• August 2014
Attitude Adjustments


• May 2014
Adapt to the Equipment


• Mar 2014
Turn The Beat Around


• Feb 2014
Straight Is Great


• Sept 2013
Cover the Basics


• June 2013
Getting It Right


• May 2013
Strength Training


• April 2013
Rust Proof?


• March 2013
Not So Fast


• February 2013
Two-Step Jump


• January 2013
Open Your Eyes


• December 2012
Feeling Good?


• November 2012
Hang In There


• October 2012
Back on Track


• September 2012
Straighten Up


• August 2012
On the Rail


• July 2012
Mental Checklists


• June 2012
Respect & Fear


• May 2012
Chin Music


• April 2012
On the Line


• March 2012
Balancing Act


• February 2012
Creative Drilling


• January 2012
Power Outage


• December 2011
Jumping In Line


• November 2011
Soft on Soft Breaking


• October 2011
Find Your Stroke


• September 2011
The Path Off the Rail


• August 2011
Short Position


• July 2011
Inch Along


• June 2011
Into the Unknown


• May 2011
Sharpened Focus


• April 2011
Never Flatline


• March 2011
Stop For A Review


• January 2011
The Straight Answer


• December 2010
Shoot The Lights Out


• November 2010
Never Overmatched


• October 2010
Drawing Conclusions


• September 2010
Through & Through


• August 2010
Along the Rail


• July 2010
The Small Stuff


• June 2010
Three in One


• May 2010
One Ball At a Time


• April 2010
Going Thin to Win


• March 2010
Know Your Game


• February 2010
14.1 For 8-Ballers


• January 2010
Setting It Straight


• December 2009
Hanging Out, Part II


• November 2009
Hanging Out


• October 2009
Control Your Speed


• September 2009
Busting Out of a Slump


• August 2009
Easy Errors, Part III


• July 2009
Easy Errors, Part II


• June 2009
Easy Errors, Part I


• May 2009
Body Language & Breaking


• April 2009
The Break: Body Language


• March 2009
Must-Reads from Robles


• February 2009
Position: Four Square


• January 2009
Romancing the Stance


• October 2008
Look Out for Boingy Rails


• September 2008
Build a Better Break


• August 2008
Q&A: Ask the Pro


• July 2008
'Buzz' Kill: Stay Down


• June 2008
Stop Shots Safeties III


• May 2008
Stop Shots Part II


• April 2008
STOP-SHOT Safeties


• March 2008
How to Keep Winning


• February 2008
The Dreaded Straight-In Shot


• January 2008
Trying the Soft Break


• December 2007
The Hard Way Makes It Easier


• November 2007
How to Sight the Cue


• October 2007
Win from Your Chair


 
One To Watch
February 2011
WHENEVER I'm at a major tournament, I can't help but study all the best players. I watch Efren Reyes and Johnny Archer and Francisco Bustamante, because I can learn just from seeing how they do certain things.

When students of mine gets an opportunity to see a professional up close, I notice they always focus on the stroke, the movement of the arm, the fluidity of the motions. What's interesting is that pros do a lot of things a lot of different ways. Earl Strickland twists his wrist a bit. When Bustamante takes his warm up strokes, it looks like he's barely using more than a pinkie for his grip.

While the unorthodox approach obviously works for these guys, developing players will improve much, much quicker if they stick to rock-solid fundamentals. Professionals have drilled and drilled their strokes to the point that their idiosyncrasies are second nature. But for you, following the textbook stroke will lead to more favorable results faster.

And when it comes to the perfect example of near-perfect fundamentals, there's nobody better to study than Allison Fisher. Besides being one of the absolute all-time greats, Allison is the closest thing there is to the perfect pool player. Her approach, her stroke, her demeanor, she does everything just as it should be done.

So, if you get a chance to watch Allison (in person or on TV), key for the following three things:

1. Balance: When players, even the best players, get rolling, they have a tendency to slide into position from one shot to the next. But Allison is a master of keeping herself in line. After every shot, she will step back and restart her pre-shot routine. You never see her off balance because she steps straight into every shot.

2. Rhythm: I've been watching her for a solid decade, and I've never seen Allison rush her last stroke. I've never seen her jump up on a shot. She's always in rhythm. After she takes her warm-up strokes, she pulls the cue back for her final stroke, pauses at the end of the backswing, and then strokes the cue ball. Always.

3. Arm Position: Once Allison is down and set, her back forearm is exactly perpendicular to the ground at the moment the cue tip strikes the cue ball.

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