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BD House Pro
Tony Robles
A longtime teaching pro at Amsterdam Billiard Club in New York City, Tony has dozens of regional and national titles to his name, including the 2004 BCA Open Championships.


Instruction Articles:
• Mar 2014
Turn The Beat Around


• Feb 2014
Straight Is Great


• Sept 2013
Cover the Basics


• June 2013
Getting It Right


• May 2013
Strength Training


• April 2013
Rust Proof?


• March 2013
Not So Fast


• February 2013
Two-Step Jump


• January 2013
Open Your Eyes


• December 2012
Feeling Good?


• November 2012
Hang In There


• October 2012
Back on Track


• September 2012
Straighten Up


• August 2012
On the Rail


• July 2012
Mental Checklists


• June 2012
Respect & Fear


• May 2012
Chin Music


• April 2012
On the Line


• March 2012
Balancing Act


• February 2012
Creative Drilling


• January 2012
Power Outage


• December 2011
Jumping In Line


• November 2011
Soft on Soft Breaking


• October 2011
Find Your Stroke


• September 2011
The Path Off the Rail


• August 2011
Short Position


• July 2011
Inch Along


• June 2011
Into the Unknown


• May 2011
Sharpened Focus


• April 2011
Never Flatline


• March 2011
Stop For A Review


• February 2011
One To Watch


• January 2011
The Straight Answer


• December 2010
Shoot The Lights Out


• November 2010
Never Overmatched


• October 2010
Drawing Conclusions


• September 2010
Through & Through


• August 2010
Along the Rail


• July 2010
The Small Stuff


• June 2010
Three in One


• May 2010
One Ball At a Time


• April 2010
Going Thin to Win


• March 2010
Know Your Game


• February 2010
14.1 For 8-Ballers


• January 2010
Setting It Straight


• December 2009
Hanging Out, Part II


• November 2009
Hanging Out


• October 2009
Control Your Speed


• September 2009
Busting Out of a Slump


• August 2009
Easy Errors, Part III


• July 2009
Easy Errors, Part II


• June 2009
Easy Errors, Part I


• April 2009
The Break: Body Language


• March 2009
Must-Reads from Robles


• February 2009
Position: Four Square


• January 2009
Romancing the Stance


• October 2008
Look Out for Boingy Rails


• September 2008
Build a Better Break


• August 2008
Q&A: Ask the Pro


• July 2008
‘Buzz’ Kill: Stay Down


• June 2008
Stop Shots Safeties III


• May 2008
Stop Shots Part II


• April 2008
STOP-SHOT Safeties


• March 2008
How to Keep Winning


• February 2008
The Dreaded Straight-In Shot


• January 2008
Trying the Soft Break


• December 2007
The Hard Way Makes It Easier


• November 2007
How to Sight the Cue


• October 2007
Win from Your Chair


 
Body Language & Breaking
May 2009
LAST MONTH we discussed the first step toward incorporating body movement into your break. Once you feel confident hitting the center of the head ball with the center of the cue ball moving only your back arm, you are ready to experiment with a few movements that might up your power.

Before we start, though, it is absolutely imperative that you continue to control the cue ball on your break. A thundering break is useless if you can’t control it. So if you ever begin to lose accuracy, slow down and make sure any new movements are not knocking you off line.

Once you are locked in with the arm-only break, there are several ways to throw your body — which one you prefer is more of a personal preference than one being “right” and one being “wrong.”

Johnny Archer and Francisco Bustamante are two of the game’s greatest players, but they break using completely different styles. Look at a guy like Archer, who will throw his arm so far forward that it looks like he is about to touch the 1 ball. He lifts his back leg, pushing his whole body toward the cue ball. After cue-ball impact, the cue flies out of his bridge hand, so he finishes with his grip hand holding the cue high in the air (like in the photo on the left).

But then there’s a break like Bustamante’s. He creates a powerful break without letting his cue out of either hand. He still uses his back leg to push his body forward, but Bustamante uses more of a hip movement. He is almost like a boxer throwing a punch. He stays compact during his break, throwing his hips into the cue ball. He keeps his cue on the table, and follows through in such a straight line, it’s unbelievable.

Try both methods, you’ll find out which one works best for you. It might even be a combination of both. Just remember: Accuracy first, then power.


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