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BD House Pro
Tony Robles
A longtime teaching pro at Amsterdam Billiard Club in New York City, Tony has dozens of regional and national titles to his name, including the 2004 BCA Open Championships.


Instruction Articles:
• October 2014
Walk This Way


• August 2014
Attitude Adjustments


• May 2014
Adapt to the Equipment


• Mar 2014
Turn The Beat Around


• Feb 2014
Straight Is Great


• Sept 2013
Cover the Basics


• June 2013
Getting It Right


• May 2013
Strength Training


• April 2013
Rust Proof?


• March 2013
Not So Fast


• February 2013
Two-Step Jump


• January 2013
Open Your Eyes


• December 2012
Feeling Good?


• November 2012
Hang In There


• October 2012
Back on Track


• September 2012
Straighten Up


• August 2012
On the Rail


• July 2012
Mental Checklists


• June 2012
Respect & Fear


• May 2012
Chin Music


• April 2012
On the Line


• March 2012
Balancing Act


• February 2012
Creative Drilling


• January 2012
Power Outage


• December 2011
Jumping In Line


• November 2011
Soft on Soft Breaking


• October 2011
Find Your Stroke


• September 2011
The Path Off the Rail


• August 2011
Short Position


• July 2011
Inch Along


• June 2011
Into the Unknown


• May 2011
Sharpened Focus


• April 2011
Never Flatline


• March 2011
Stop For A Review


• February 2011
One To Watch


• January 2011
The Straight Answer


• December 2010
Shoot The Lights Out


• November 2010
Never Overmatched


• October 2010
Drawing Conclusions


• September 2010
Through & Through


• August 2010
Along the Rail


• July 2010
The Small Stuff


• June 2010
Three in One


• May 2010
One Ball At a Time


• April 2010
Going Thin to Win


• March 2010
Know Your Game


• February 2010
14.1 For 8-Ballers


• January 2010
Setting It Straight


• December 2009
Hanging Out, Part II


• November 2009
Hanging Out


• October 2009
Control Your Speed


• September 2009
Busting Out of a Slump


• August 2009
Easy Errors, Part III


• July 2009
Easy Errors, Part II


• May 2009
Body Language & Breaking


• April 2009
The Break: Body Language


• March 2009
Must-Reads from Robles


• February 2009
Position: Four Square


• January 2009
Romancing the Stance


• October 2008
Look Out for Boingy Rails


• September 2008
Build a Better Break


• August 2008
Q&A: Ask the Pro


• July 2008
‘Buzz’ Kill: Stay Down


• June 2008
Stop Shots Safeties III


• May 2008
Stop Shots Part II


• April 2008
STOP-SHOT Safeties


• March 2008
How to Keep Winning


• February 2008
The Dreaded Straight-In Shot


• January 2008
Trying the Soft Break


• December 2007
The Hard Way Makes It Easier


• November 2007
How to Sight the Cue


• October 2007
Win from Your Chair


 
Easy Errors, Part I
June 2009
FOR THE next couple of issues, I want to focus on mistakes made by beginning players — meaning those who are literally picking up a cue for the first time to those who have played a little but never had any formal instruction. Certainly these might appear to be lessons we all should have learned by now, but let’s reexamine some common problems to see if we can reinforce proper fundamentals.

First, I want to talk about consistency. It is no secret that a solid, dependable stroke is a result of proper fundamentals. So the key to building a stroke that will stay with you — even in the most pressure-packed situations — is examining every single detail of your preparation.

Let’s take a minute to examine at how you look at a shot. Once you’re down on the cue ball, it is important to have a rhythm to the movement of your eyes. Always try to keep the same pattern of what you’re focusing on, looking back and forth at the object ball and cue ball. You might think you always use the same eye movements, but have you really examined it?

Line up your cue, so that it is perfectly in line with the proper aiming point. Moving your focus from the object ball to the cue ball and back, make sure you are properly lined up. Take no less than three to five warm-up strokes.

This will also give you time to focus on a specific spot on the object ball and allow you to trust your alignment and aiming. If you don’t trust your point of aim, you will get in the habit of steering the cue ball or the object ball.

Finally, once you are comfortable with your stance and aim, the object ball is the last thing you should look at when you make the final delivery. Bring the cue back slowly on the final stroke — this will prevent you from rushing, which creates a herky-jerky motion.

This is just part of the puzzle of a consistent routine, but it is absolutely vital that you make a conscious effort to develop a rhythm to your eye movement before and during a shot.

Try to develop a pattern you can trust. It will pay off when you are faced with a stressful situation.


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